Ellen Bell
Ellen Bell
Ellen Bell

Statement

The nature of language, and, in particular, its limitations as a method of expressing deep and difficult feelings, informs much of my work. I work directly with books, texts and paper ephemera to create drawings, installations and sculptures that pose questions rather than deliver answers about how we communicate within our familial and intimate relationships. There is an intensity to the work – more akin to writing than drawing – involving a painstaking re-piecing together of texts that offer alternative meanings, narratives and contexts that question the role of language within emotive scenarios. The physicality of the books, the printed surface of the page and the design of the texts play an important role in the making of my work, as does the serendipity involved in the ‘finding’ of them – the musty smell, the grainy texture of the paper, the inconsistent heaviness of some of the type and the dated graphics of the book covers all play their part in seducing me into working with them.

My work is pared down, seemingly simple. Some pieces involve a re-making of dictionary pages, where I focus on a particular word and expand upon its general definition by creating a stream of consciousness narrative that challenges the limitations of its given understanding. Other works feature figurative templates that contain text or other ephemera, such as stamps or fragments of book or magazine illustrations, through which memories are triggered or associations made. However, as with all drawings, the negative space plays an essential part in the understanding and reading of the pieces. The words and images in these pieces are animated, three-dimensional; they either jut off the page - casting rows of sharp, urgent tick-like shadows - or they undulate, forming an active, physical representation of speech, becoming tangible artefacts of intimate conversations.

Biography

Ellen Bell is an artist based in Wales. Her drawings, installations and sculptures are informed by ideas surrounding intimate communication through the written and spoken word. Bell interacts with found books, paper texts and other ephemera making three-dimensional narrative pieces that seek to subtly challenge our understanding of what is, and is not, possible when using language to communicate complex feelings. However, more recently, Bell has been using sewing through public performance to explore notions of artist’s block and what constitutes art.

Bell's work has been shown in many solo and group exhibitions and has featured in various notable national and international art fairs such as COLLECT at the Victoria & Albert Museum and SOFA in Chicago. Bell also produces site-specific work for public art projects, including her critically acclaimed installation piece, Speaking Soul, at the City Gallery in Leicester in 2007. In 2002 the Victoria & Albert Museum purchased a piece for their print collection.

In September 2014 Bell achieved a distinction for an MA in Creative Writing at Aberystwyth University. Since 2002, Bell has been a visiting artist and lecturer at various art schools and colleges across the UK.

Curriculum Vitae

 

selected solo exhibitions/performances/projects

2019
Sewing Sunflowers III – performance at National Gallery & collaboration with film-maker Magali Charrier
2017/18
Sewing Sunflowers I & II – performance at National Gallery
2017
Line, performance-sewing on London Underground
2017
Oubliette – Oriel Davies Gallery, Newtown
2015
MORDANT - Oriel Davies Gallery, Newtown
2013
Billet Doux - Library Project at various venues in England & Wales
2011 Camera Obscura & Other Stories – The Gallery on Redchurch Street,
London hosted by Four Square Fine Arts
2010
Story – The Plinth Bristol City Museum & Art Gallery
2010
Talk to Me – The Chapel Row Galley, Bath
2008
Hard Words – The Air Gallery, London, hosted by Four Square Fine Arts
2007
Speaking Soul – The City Gallery, Leicester
2005
Woman’s Realm – The Women’s Library, London
2005
Texting – The Charlotte Street Gallery, London
2002 Body Language – The Charlotte Street Gallery, London
   
 

selected group exhibitions/performances/collaborations

2018 Still 4’33’ - collaboration with students from University for the Creative Arts
2015 Call Me - Gallery on the Green (telephone box), Settle - collaborative project with Jo Hamill
2014 Surface & Depth - Strand Gallery, London - hosted by Four Square Fine Arts
2014 Beyond the Book - Long & Ryle, London
2014 Beyond the Book - Devon Guild of Craftsmen, Bovey Tracey
2012 Genius Loci: A Sense of Place – Gallery at 32 Store St. London hosted by Four Square Fine Arts
2012 Only Connect Lab – performance, Aberystwyth Arts Centre
2011 Artists of Fame & Promise – Beaux Arts, Bath
2011 Beyond Text: Making & Unmaking Text – Centre for Creative Collaboration,
Royal Holloway University
2010 Lingua Franca – Arnolfini, Bristol
2009 Pulp Fictions – Rochester Gallery, Kent
2008 Romance – Kowalsky Gallery, London
2007 READesign – Mobile design installation, Northumberland
2006 Prints Now: Directions and Definitions – Victoria & Albert Museum
2006 Fairytales and Urban Myths – Sheffield Millennium Galleries, Sheffield
2005 Paperworks 2005 – b. j. spoke gallery, New York
2005 Body Languages: Four Women, Four Visions – Art Vitam Gallery, Miami
2005 Made at Wysing – Wysing Arts Gallery, Cambridgeshire
2004 SOFA 04 – Chicago, USA
2004 SALTHOUSE 04: Crossing the Line – Salthouse Church, Norfolk
2004 Hats & Gloves – The City Gallery, Leicester
2004 Haunt – Sherborne House, Dorset
2004 Art, Age & Gender: Women Explore the Issues – Usher Gallery, Lincoln
2004 COLLECT 2004 – Victoria & Albert Museum, London
2003 Sartorial: an exhibition of conceptual clothing, art & fashion – England & Co., London
2002 Art, Age & Gender: Women Explore the Issues – Orleans House Gallery, Twickenham
2001 Body Beautiful – 20-21 Visual Arts Centre, Scunthorpe
   
 

residencies

2018 Hafan y Waun Care Home
2018 Oriel Davies’ Drawing Room
2010 Sandbach High & Sixth Form College
   
 

awards

2018 Recipient of a-n Coaching Bursary
2017 Funding from Arts Council, Wales for Oubliette project
2015 Funding from Arts Council, Wales for Mordant project
2015 Funding from Teeside University Research Fund for Call Me project
2013 Funding from Arts Council, Wales for Billet Doux project
2012 Bursary from Aberystwyth Arts Centre for participation in Only Connect Lab
2010 Commission from Container Arts, Bristol for the Plinth Project
2007 Funding from Arts Council, England for Speaking Soul project
Funding from SE Northumberland Public Art and Design Initiative for READesign project
2005 Prize-winner for Paperworks 2005 – an international juried competition, judged by Faye Hirsch, editor of Art in America
2004 Funding from Arts Council, England for SALTHOUSE 04: Crossing the Line
2004 RAE Funding from Anglia Ruskin University for Haunt project
   
 

collections

  Victoria & Albert Museum, London
  Anglia Ruskin University, Cambridge
  Private Collections – USA, UK, Switzerland, Australia
   
 

selected bibliography

  books
2018 Contemporary Revolutions: Turning Back to the Future in 21st Century Literature and Art,
ed, Susan Stanford Friedman, Bloomsbury Academic
2018 Paper Crafts – A Maker’s Guide, Thames & Hudson + V&A
2010 Paper: Tear, Fold, Rip, Crease, Cut, published by Black Dog Publishing
2009 Paper: Tear, Fold, Rip, Crease, Cut, published by Black Dog Publishing
2006 Prints Now: Directions and Definitions, Saunders, G., Miles, R., published by V & A
  catalogues
2014 Beyond the Book, published by Long & Ryle, Pimlico
2011 Camera Obscura & Other Stories, published by Four Square Fine Arts
2008 Hard Words, published by Four Square Fine Arts
2007 Speaking Soul, published by City Gallery, Leicester
2002 Body Language, published by The Rebecca Hossack Gallery
  films
2011 Writing Intimacy by Abigail Norris
2008 Hard Words by Bus Stop Films
  reviews/essays
2017 Embroidery, vol. 68, May/June
2017 Billets-Doux, On Libraries, Performance Research, May
2013 Meaning of Text as Image by Esther Dudley (International Journal of Visual Design, Volume 6)
2011 Studio International, June
http://www.studiointernational.com/index.php/ellen-bell-camera-obscura-and-other-stories
  Art Corpus, September,
http://art-corpus.blogspot.co.uk/2011/09/interview-with-ellen-bell.html
2010 Embroidery, Vol. 61 May/June
2008 Big Picture Feature, a-n magazine, October 2008
2007 Embroidery, Vol. 58 July/August
  Guardian Guide, 20.1.2007
  The Independent Review, 20.1.2007
2006 Yorkshire Metro, 24.2.2006
2005 New York Times, Art Review, 4.9.2005
2004 Textile Forum Journal 2/2004
2003 Embroidery vol. 54
2003 Crafts May/June
   
 

teaching

2018 Visiting Lecturer at Leeds Beckett University teaching on 2nd year undergraduate Graphic Arts & Design brief
2018 Associate Lecturer & Workshop Leader for NPTC Newtown and during Oriel Davies Drawing Room project
2013-16 Workshop Leader in Book Arts/Creative Writing
Bronglais Hospital, Aberystwyth & Arts Care, Carmarthen
2010-11 Visiting Lecturer & Associate Lecturer at Plymouth University & Bath Spa University
2008-9 Associate Lecturer in Textiles at Swindon College
2006-8 Pathway Leader 3D & Textile Design at Truro College
2005-6 P/t Lecturer School of Art at Swindon College
2002-4 P/t Lecturer School of Art at Anglia Ruskin University
1997 P/t Lecturer in Foundation Studies at City College, Manchester
   
 

journalism

  Art/book reviews & articles for print and online journals such as: Embroidery, Ceramics Review, Crafts, Selvedge, Poetry Wales, Planet, Bath Life, a-n, AXIS, nom de script, This is Tomorrow, Nineteenth Century Gender Studies and regular contribute to New Welsh Review.
   
  websites - www.ellenbell.co.uk   www.axis.org/p/ellenbell
   
  socia media - textbelle@twitter, Facebook, Vimeo